Learn more about Rendezvous Music Mode by watching this video.īeyond Music Mode, Rendezvous has benefitted from other enhancements as well. And if there are two or more musical guests streaming from different remote locations, Rendezvous keeps the feeds perfectly synchronized. It also increases the bitrate to 256k, with 128k per channel, for audio coming from guest performers. When selected, it automatically configures certain settings, such as enabling stereo audio and disabling audio processing effects, such as background noise reduction and echo cancellation, that are otherwise better suited to spoken word. Rendezvous’ new “Music Mode” captures the full tonality of audio during live musical events, such as concerts, performances, and worship services. Capture high-quality audio from instruments with Rendezvous Music Mode More detailed benchmark results and testing methodology will be posted in a separate blog. The new Wirecast 15 software, when tested in various broadcast production and live streaming scenarios, used up to 60% fewer CPU resources and up to 50% fewer GPU resources, freeing up computing power to enable complex workflows. There’s also improved support for 4K 60 fps playback and streaming. In addition to using fewer CPU resources, the system’s newly improved GPU efficiency also gives broadcasters better, faster playback of professionally produced video content. Learn more about working with 4K camera sources here. Wirecast 15 now uses less computer processing power to run live shows and perform compute-intensive tasks, like switching between high-resolution video sources. More efficient and reliable live-streaming Stream live to YouTube, Facebook, and more simultaneously, with ease and flexibility using the new Wirecast 15 live streaming and video production software. The Wirecast brand empowers users with professional tools and exceptional encoding for broadcast-quality video streaming with limitless creative freedom. With these impactful upgrades, Telestream addresses user feedback and concerns while staying true to the system’s core philosophy. In this blog, we’ll look at the key modifications that work in tandem to upgrade Wirecast’s efficiency, stability, and reliability, starting with the platform’s optimized efficiency. I’m wondering if a Rode videomic might be the best for recording that.With the release of Wirecast 15, professional live streaming software now empowers users with greater CPU and GPU efficiency, flexible subscription plans, new social media content moderation, expanded production and monitoring tools, improved 4K support, a dedicated Music Mode for Rendezvous, and an improved user interface (UI) with bigger, brighter fonts, and tally lights. I’m currently taking a feed from the tape out sends on our board, but that gets every clinker, flat note, and a pretty unsweetened room mix. I’m still trying to find the best settings for sound. Now they put out a software update, and YouTube works great! The video is awesome in quality – 720p. At first, it was a major hassle, as I had to manually specify almost every setting to get it to stream to YouTube. I’m using the Cerevo LiveShell Pro to encode.

So either the copyright algorithm is getting better, or our praise band is. Our worship band did “10,000 reasons” and a copyright violation was triggered – from a live praise band. I’ve now started the recording when the person is up to make the announcements, so it would’t get our pre-service music. After about a month or so of streaming, I find that I have to dispute a copyright violation almost every week.

We too have been using YouTube to live stream our services (MVBC Live Stream). Then I add the current live event every Sunday morning to that playlist in YouTube so I don’t have to edit the website wach week. To embed the love stream into our website I created a playlist titles “Live” and embed the playlist.

My plan is to route the sound from the sound board to not include that channel to the live stream so only the room can hear it. We also pay for the license to stream through CCLI but YouTube just denied my dispute anyway. Music our band has played has never triggered the copyright. This could even be background music for a slides how video, etc. Recently I was denied live service for a week due to a copyright violation. We have music playing in the background before and after service. YouTube detects original music being played from some artists.

It can record while streaming although we record and upload at a higher resolution later. You have to create an event each time you want to stream. We’ve used this for about 6-9 months under the non profit status.

Wirecast free youtube partner